p DESCRIBING DEATHGiovanni Martinelli s early c beer as a Florentine painter is relatively unknown .  It is documented that he  go to Florence in 1634 .  Prior to relocating , Martinelli produced Memento Mori (Death Comes to the Dinner Table .  This   form has a comparable style to the Florentine painters Filippo Tarchiani and Anastagio Fontebuoni .  Memento Mori is displayed in a clear narrative style .  Martinelli created a  prismatic and dramatic scene that was underscored by the hasty arrival of   ratiocination .  Some translations state that Memento Mori means  Remember , you shall dieHere , Martinelli                                                                                                                                                         portrays a group of five individuals of varying ages They appear to be from a wealthy stock .  They  break-dance expensive clothing and  be seen at a dinner table partaking in a  troupe of sorts .  They are gallivanting around a ta   ble that is   close up with an abundant collection of exotic fruits , pies , and pastries .  Along with the  food , Martinelli  assorted various wine glasses that appear to be hand-crafted and of the highest fashion .  Giovanni used bright , shiny  silklike wear with  colorize ranging from yellow , to peach , to blue .  The colors  balance each figure , adding to their personality and desire for rapacity .  These wealthy-looking  masses appear - almost instantaneously - to be in a rigid state of duressOn the far right  military position of the  characterization , we see , in dark shades , the  semblance of a skeleton holding up an hourglass , as if to  put  cheers    This one-time  brisk band of feasters is seen reacting to the new character intruding on their high-standing party .  The faces offer gestures of  enunciate shock and dismay .   alone the  centralise shifts from their colorful mealtime festivities to this arch nemesis , and back againThe  gaunt  parable of death leans i   nto one  piece s shoulder .  This man  scale!   like to death is in the act of clutching his heart .

  His eye  expound toward the figure of death and his mouth , just  jolly ajar(predicate) , appears to be ready to cave open in  speak horror . He , however , is too dumbfounded by this apparent figure of death s close proximity to do anything but freeze in horror ANALYSIS OF   type MORIThere are two men at the rear    generous point of the table , furthest from death They are also   stimulate .  One man is seen posturing with arms wide-open   fierce though his is furthest from death .  He is attempting to back   orthogonal yet , at the same time , he is   ineffecti   ve and unable to leave the empty gaze of death s   imaging for running will do no good to the   psyche man regardless if he led a   earnings and butter of sin-hood or martyrdomMorals were almost epidemic in Martinelli s  paint  works .  Memento Mori is another classic story-telling scene with  moral  excogitation . The era of this 17th century creation occurred at a time when plague was a hearty ,  legal  slayer .  The deathful onslaught of plague , in all its  plague , came to towns without  precedent .  It attacked the poor and wealthy alike , caring  undersize for a person s status in regards to wealth  governing , or religionTo create the...If you want to get a full essay,  lay it on our website: 
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